The Digital Negative: Raw Image Processing in Lightroom, - download pdf or read online

By Jeff Schewe

The electronic adverse is ready uncooked snapshot processing of camera captures. It information what makes for a truly sturdy electronic destructive and the way to harness the large energy of Lightroom and digicam uncooked to extract the best-possible uncooked rendering of that electronic damaging. It’s additionally approximately while and the way to installation Photoshop to take your rendered electronic negatives extra utilizing the facility of Photoshop to ideal the pictures that want and deserve the attention.

Chapter 1 what's a electronic Negative?
Chapter 2 Adobe uncooked picture Processing: An Overview
Chapter three basics of Lightroom and digital camera Raw
Chapter four complicated uncooked Processing utilizing Lightroom or digital camera Raw
Chapter five Deploying Photoshop to excellent your electronic Negatives
Chapter 6 growing a good Workflow

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Additional info for The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop

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Work your way around the entire animal, antlers and all. 49). Once you have an outline around the entire moose, go back in between the horns and highlight those edges also. 50). 47: Highlight around the subject. entire creature outlined, select the Bucket from the right and click within the selected area. 51). 52). Don’t click OK, because you are not done yet. The Edge Cleanup tools are inside this dialog box as well, so you need to check all the edges first and correct accordingly. 53 shows areas where portions of the background made it through the extraction.

The Brush size should be 20, the sampling mode should be Continuous, the Tolerance should be 30%, and Anti-aliased should be checked. With the Find Edges setting, Photoshop will look for boundaries to paint within while the new color is being applied, thus allowing only the hue of the iris and not the areas outside it to change. Hue Blending Mode This blending mode creates a color based on the luminance and saturation of the base color and hue/tone of the blend color. Before you change the color of the eyes, you will want to choose a new color.

I frequently use this trick and thought that you may want to experiment with it. 1. 42). 2. 43). 3. Set the foreground color to White (press D and then X). 4. Select the Paintbrush tool and paint over the black spots on the white dice faces. The black becomes bright red. 44). I’ve retouched only the white faces here simply to keep the demonstration quick and easy. 44: Retouching the dice by painting the red channel stepped outside the boundaries of the black. If you think that it makes better visual sense to add red to the spots on the shadowed faces, you can experiment on your own by reducing the size of the brush.

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