Get Permanent Obscurity: Or a Cautionary Tale of Two Girls and PDF

By Richard Perez

Encouraged by means of the underground sexploitation motion pictures of the Sixties, this daring updating of the "roughie" subgenre and lampoon of auteur filmmaking principally happens in manhattan City's East Village (circa the Bush era), and it chronicles the increase and fall of a distinct and excessive courting. Dolores and Serena, chemically based, down-and-out artists got down to take keep watch over in their lives by way of creating a fetish-noir/femdom motion picture. in fact, issues do not precisely end up as planned.

PERMANENT OBSCURITY through Dolores Santana (as informed to Richard Perez)

    * a younger bohemian satire,
    * a narrative of alienated nonconformists,
    * a "girls at the lam" story,
    * a sexploitation and S/M romp,
    * a spoof of cult superstar and "true-life" tabloid sensationalism

PERMANENT OBSCURITY:
Written within the three parts:

PERMANENT OBSCURITY: half 1 - THE KINKY HOOK
Whereupon we're brought to Dolores and Serena and their kinky shenanigans.

PERMANENT OBSCURITY: half 2 - unusual HUNGERS
Whereupon Dolores and Serena grapple with relationship/sexuality concerns, life-threatening drug buyers, irreversible funds woes. Culminating in a determined test at creating a so-called "femdom" film.

PERMANENT OBSCURITY: half three - NO MAN'S LAND
Whereupon Dolores and Serena locate themselves in a spot now not anticipated. particularly, hell.

IS THIS DRUG-ADDLED, FACE-SITTING EXTRAVAGANZA correct FOR YOU?

"Funny, trendy, and consistently engrossing ... terribly well-drawn and psychologically real looking. All in all, it is a significantly wonderful and likewise poignant paintings, and it made me very occupied with and sympathetic to the worlds of BDSM and of drug-addled dreamers."
--Anna Biller, writer-director of the neo-sexploitation movie, VIVA

"Richard Perez has the ears of the angels--lend him yours."
--Barry Gifford, writer: WILD AT center, PERDITA DURANGO

"Perez's is an exhilarating expertise and his paintings is going a ways past such a lot of what's released today."
--Henry Flesh, writer: MICHAEL and the Lambda Literary Award-winner,
MASSAGE

~~~~~~~~~~~~~~~~~:

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Additional resources for Permanent Obscurity: Or a Cautionary Tale of Two Girls and Their Misadventures with Drugs, Pornography and Death

Example text

Passing the blunt to Baby, I squinted through the hazy van window, watching Serena chat up some tall, busted-looking mofo in the distance. “Serena’s ‘music friend’ sure looks like he could use a bath,” I remarked. The guy looked like one of those crazy, inbred freaks you see in grindhouse horror flicks. Now I wasn’t too keen on hoody thugs either, believe me; and there were times that I felt nervous trolling for quality trees in certain unfamiliar urban areas. But if there was one type of charRichard Perez 57 acter that really rattled me for some reason, it was that kind of longhair, grinning Charles Manson sort.

I sparked it, taking a pull that made me fall limply back against the van door. When I exhaled, I felt my life take on a feathery lightness. Passing the blunt to Baby, I squinted through the hazy van window, watching Serena chat up some tall, busted-looking mofo in the distance. “Serena’s ‘music friend’ sure looks like he could use a bath,” I remarked. The guy looked like one of those crazy, inbred freaks you see in grindhouse horror flicks. Now I wasn’t too keen on hoody thugs either, believe me; and there were times that I felt nervous trolling for quality trees in certain unfamiliar urban areas.

Once there, it took about another million years to reach up north, where we wanted to go. Beyond that was Nova Scotia and Canada—if we wanted to escape Jesus country, once and for all. Along the way, I touched my stomach, wondering what was going on in there, imagining a tadpole with Raymond’s face. It made me melancholy. Raymond. What a prick. Raymond. What a dickhead. Raymond. What a sop. Richard Perez 41 Raymond. What a shit. Raymond. The sweetest man I’d ever known. Raymond. Who believed in my art and did everything in his power to encourage me.

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