Misogyny, Misandry and Misanthropy - download pdf or read online

By R. Howard Bloch, Frances Ferguson

These essays, initially comprising a topic of Representations, discover the relation among gender, eroticism, and violence via shut research of a number either excessive and well known cultural kinds, from R. Howard Bloch on medieval theology to Carol Clover on modern slasher motion pictures. Does misogyny vary from misandry? Can writer goal be separated from social context? Do reliable ladies counterbalance or reenforce the misogyny of unfavourable examples? Is an obsession with ladies itself misogynistic? those questions are approached from a variety of angles by means of Joel Fineman, Charles Bernheimer, Jacqueline Lichtenstein, Frances Ferguson, Naomi Schor and Gillian Brown. In sum, the authors element not just the ways that gender is represented, but additionally the adjustments to which illustration matters questions of sexual difference.

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P. verso. Includes index.  Misandry in literature.  Misandry in art.  Ferguson, Frances. 48-1984. Page v Contents Introduction vii Medieval Misogyny R. Howard Bloch 1 Shakespeare's Will" The Temporality of Rape Joel Fineman 25 Making Up Representation: The Risks of Femininity Jacqueline Lichtenstein 77 Rape and the Rise of the Novel Frances Ferguson 88 The Portrait of a Gentleman: Representing Men in (French) Women's Writing Naomi Schor 113 The Empire of Agoraphobia Gillian Brown 134 Degas's Brothels: Voyeurism and Ideology Charles Bernheimer 158 Her Body, Himself: Gender in the Slasher Film Carol J.

Finally, given the intention of most misogynistic literature to dissuade its audience from associating with women, and given the association between rhetoric and the feminine, how is it possible for any writer to seek to persuade his or her intended audience not to be seduced without himself or herself performing the very acts of verbal deceit and seduction s/he denounces? In her essay "Making Up Representation: The Risks of Femininity," Jacqueline Lichtenstein shows how the link between the ornamental and the feminine remains in force in the seventeenth century.

Bloch carries this association to its logical conclusion by identifying the medieval reproach against woman as verbal abusegarrulous, contradictory, argumentative; a liar, deceiver, and seducer with wordswith the reproach against rhetoric characteristic of the philosophy of language of the Middle Ages. His focus on the relation between the notion of the feminine and literary voice poses questions relevant not only to the Middle Ages but to succeeding centuries, and thereby to this volume as a whole.

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