By R. Howard Bloch, Frances Ferguson
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Extra info for Misogyny, Misandry and Misanthropy
P. verso. Includes index. Misandry in literature. Misandry in art. Ferguson, Frances. 48-1984. Page v Contents Introduction vii Medieval Misogyny R. Howard Bloch 1 Shakespeare's Will" The Temporality of Rape Joel Fineman 25 Making Up Representation: The Risks of Femininity Jacqueline Lichtenstein 77 Rape and the Rise of the Novel Frances Ferguson 88 The Portrait of a Gentleman: Representing Men in (French) Women's Writing Naomi Schor 113 The Empire of Agoraphobia Gillian Brown 134 Degas's Brothels: Voyeurism and Ideology Charles Bernheimer 158 Her Body, Himself: Gender in the Slasher Film Carol J.
Finally, given the intention of most misogynistic literature to dissuade its audience from associating with women, and given the association between rhetoric and the feminine, how is it possible for any writer to seek to persuade his or her intended audience not to be seduced without himself or herself performing the very acts of verbal deceit and seduction s/he denounces? In her essay "Making Up Representation: The Risks of Femininity," Jacqueline Lichtenstein shows how the link between the ornamental and the feminine remains in force in the seventeenth century.
Bloch carries this association to its logical conclusion by identifying the medieval reproach against woman as verbal abusegarrulous, contradictory, argumentative; a liar, deceiver, and seducer with wordswith the reproach against rhetoric characteristic of the philosophy of language of the Middle Ages. His focus on the relation between the notion of the feminine and literary voice poses questions relevant not only to the Middle Ages but to succeeding centuries, and thereby to this volume as a whole.