By Maurice Hamilton
Positive paintings caliber, black-and-white prints are inside of each photographer's achieve with the options illustrated during this electronic photograph modifying consultant. making the most of the keep watch over and reproducibility that the electronic darkroom bargains, this instruction manual teaches photographers tips to fine-tune photos with distinction and publicity degrees, crop and rotate photographs for dynamic effects, and take away flaws akin to airborne dirt and dust and scratches lengthy after the picture has been taken. guide on innovations that simulate conventional hand coloring and tinting and upload lighting tricks equivalent to frames, infrared, and lighting fixtures and lens results is helping photographers detect their inventive imaginative and prescient. monitor photographs and photographs consultant readers in the course of the provided concepts, permitting photographers to gauge their very own effects and count on the consequences of the defined corrections and improvements all alone photographs. A gallery of the author's paintings presents thought for simulating—and bettering upon—the chemical-based darkroom adventure.
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Additional info for Black & White Photography Techniques: With Adobe Photoshop
3-10). This is similar to mov30 BLACK & WHITE PHOTOGRAPHY TECHNIQUES WITH ADOBE ® PHOTOSHOP ® a b FIGURES 3-8A AND B. COLOR PICKER. Set- tings for the (a) white point and (b) black point can be accessed by double-clicking on the eyedroppers in the Levels dialog box. FIGURES 3-9A AND B. THRESHOLD. The dialog box indicates that the Threshold Level for the highlights in the image is 214. This corresponds to the image highlights visualized as white pixels in figure 3-5. FIGURE 3-10. CURVES. The highlights and FIGURE 3-11.
The default Amount in the Shadows section is 50%, which I find is too high for most of my corrections—I typically use a value of 10 to 30%. On AN UNNATURAL GLOW OR HALOS MAY APPEAR ALONG the other hand, I may use higher settings than the default values for the Tonal Width and RadiDARK-TO-LIGHT EDGES IF THE AMOUNT OR TONAL us. Tonal Width controls the range of tones modWIDTH IS SET TOO HIGH OR THE RADIUS TOO LOW. . ified within the shadows or highlights. When lightening shadows using the Shadows Tonal Width slider, smaller values focus on the darkest tones, whereas larger values expand the effect to include the midtones.
To fine-tune the image, select individual color ranges (reds, yellows, greens, cyans, blues, and magentas) from the Edit menu in the Hue/Saturation dialog box and adjust the Hue, Saturation, and/or Lightness for each of these colors. To apply this technique to a specific object in the image, select a color from the Edit menu, click on the object to set its precise color range, then adjust the Hue/Saturation settings. Repeat this process for objects with different color ranges. Applying varying degrees of Hue, Saturation, and/or Lightness adjustments to different objects provides virtually unlimited control over the image (fig.