By Leslie Alsheimer
Black and white images has come far within the electronic global. This finished reference can help you maximize your workflow with insurance of all the suitable new positive aspects of Photoshop CS4 and Lightroom 2, together with each degree of the black and white procedure from trap to printing. alongside the way in which, you will find in-depth motives of key subject matters akin to colour administration, optimizing your workspace, softproofing and calibration (both onscreen and for output), comparing histograms, non-destructive modifying, and masses extra.
New beneficial properties during this version include:
*In-depth insurance of workflow utilizing the Bridge and Adobe digicam uncooked parts of CS4
*New recipes and counsel for complicated black and white conversion
*Coverage of Lightroom and Photoshop integration features
*An review of scanners and scanning your black and white film
*Advice on publicity necessities and the way to use the quarter process in your electronic capturing
*A fresh bankruptcy on black and white and inventive photo enhancing in Lightroom
Breathtaking colour and black and white images, together with Leslie Alsheimer's picture which gained the coveted Vincent Versace award at Photoshop international in 2008, will encourage you to extend your individual creativity to unlimited probabilities. this can be the basic source for any photographer capturing black and white within the electronic age.
Read Online or Download Black and White in Photoshop CS4 and Photoshop Lightroom. A complete integrated workflow solution for creating stunning monochromatic images in Photoshop CS4, Photoshop Lightroom, and beyond PDF
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Extra resources for Black and White in Photoshop CS4 and Photoshop Lightroom. A complete integrated workflow solution for creating stunning monochromatic images in Photoshop CS4, Photoshop Lightroom, and beyond
7 Black and White in Photoshop CS4 and Photoshop Lightroom What is a color space? Color spaces define specific boundaries of color within the visual spectrum. A color space is like the box in the crayon analogy: all the colors inside the box are represented in that color space; any colors that are not inside the box are not represented in the space. The colors inside the box are referred to as the color space’s color gamut. Effective color management requires that a color profile be attached to every image or graphic to indicate its “native” color conditions – also known as the color space – under which the file was created.
This is a much more skillful approach than being forced to work with whatever you happen to get with the camera in automatic mode alone. The Zone system is one very effective method of getting a real and working sense of the process – from capture to print. It allows you to get the right exposure every time without guessing, does not require any special film development, and you never have to waste time with bracketing. When you know what you’re going to get on film or sensor, you can make changes in the field as you are photographing that will ultimately serve to improve and optimize your final prints.
IV. Software Policies Set Photoshop color management policies and color working spaces in accordance with capture and print output variables. V. Print Profiling and Printer Settings Set up the print driver with correct profiles for desired output. VI. Softproof, Evaluate, Tweak and Repeat View and evaluate the print under lighting conditions specific to the monitor calibration settings (6500 K for Adobe 1998 and D 50 for Color Match) and re-edit the image accordingly. ) I. Capture Set Up Color Working Spaces In order to achieve the best possible color from your digital camera, especially the latest pro digital Single Lens Reflex (SLR) cameras, dealing with the concept of color working spaces, both those you choose in the camera and those you use for editing, is a necessity.