Get Architexts of Memory: Literature, Science, and Autobiography PDF

By Evelyne Ender

In this impressively interdisciplinary examine, Evelyne Ender revisits grasp literary works to signify that literature can function an experimental laboratory for the learn of human remembrance. She indicates how reminiscence not just has a authentic foundation yet is inseparable from fictional and aesthetic parts. superbly written in obtainable prose, and ambitious in its scope, the publication takes up works by way of Proust, Woolf, George Eliot, Nerval, Lou Andreas-Salome, and Sigmund Freud, attending to the guts of crucial questions about psychological pictures, empirical wisdom, and the devastations of reminiscence loss in ways in which are suggestive and profound. Architexts of Memory joins a starting to be physique of labor within the vigorous box of reminiscence experiences, drawing from scientific psychology, psychoanalysis, and neurobiology in addition to literary studies.

"An very important, cogently argued, sophisticated and wealthy learn of a subject matter of serious interest."
--Mieke Bal, college of Amsterdam

"A paintings of literary stories located on the intersection of culture and innovation. Evelyne Ender's ebook brings stylish cultural matters to endure on conventional literary texts-her extraordinary pedagogical abilities trap and consultant the reader during the such a lot tough psychoanalytical concepts."
--Nelly Furman, Cornell University

Evelyne Ender is Professor of French stories, collage of Washington. She is the writer of Sexing the brain: Nineteenth-Century Fictions of Hysteria.

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Extra info for Architexts of Memory: Literature, Science, and Autobiography

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The rememberer is, like the spi­ der, a master weaver: he spins images into solid structures or scenes that cir­ cumscribe a mental space that enables him to capture that most elusive of preys-a self. ): by reconnecting images and scenes to times and places, he is able to bridge the gaps in consciousness created by sleep. Memory, we thus learn, enables consciousness. The two faculties go in a circle, and constantly interact: memory needs consciousness, just as con­ sciousness relies on memory. "Not only is it impossible to have memory without consciousness, but equally it is impossible to have anything like a fully developed consciousness without memory," writes the philosopher John Searle in response to recent research on the mind (180).

On opening that door the Proustian rememberer is given access to a universe of experience that offers itself like a work of art-her work of art.

3 What lies behind this apparent paradox becomes clear once we remind ourselves that in ordinary life, forgetting naturally prevails over remembering. Human recollection is, by nature, extremely selective: only a small fraction of what we perceive and experience is retained. Each of our strong, fully fledged, or "memorable" memories represents, in other words, a significant physiological and mental feat against our innate tendency toward amnesia, against a "forgetting [that] is a truly universal phenome­ non" (Weiner, 577).

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